8/12/2023 0 Comments Iconographers usa![]() ![]() The deforestation in Brazil and fires in Australia and the United States are related to global warming. The artist continues: “There are things affecting the world around me that I also find troubling. There is a greater narrative in Kelechi’s work, going beyond self and culture. Along the way, I also started using the marks aesthetically, for what they add to the overall image.” Kelechi Nwaneri. I’m symbolically telling you something about them. That’s why I started marking my subjects. Tribal marks in African tell a lot about a person’s identity. If you see someone on the road who has a big scar on his head that mark is part of him it tells a story about that person. Kelechi says about his black figures: “I chose to represent them that way because I’m scarred, emotionally. ![]() The indigenous iconography reflects and preserves heritage but also alludes to identity and psychology. The mystical, metaphysical, allegorical imagery is seamlessly blended with symbols from West Africa-mainly Adinkra (from Ghana), Uli (from southern Nigeria) and Nsibidi (also southern Nigeria). This technique is currently applied by the majority of the Greek iconographers,because it protects the canvas picture of possible future damage to the wall such as cracks, delamination of the plaster plaster, moisture, etc.Portraits of the human heart and brain, signs of the zodiac, floods, black skin with signs impressed upon it that look like the constellations above-self-taught Nigerian artist Kelechi Charles Nwaneri (born 1994) shows us a unique dreamy world that explores mental health, social situations and environmental issues. In recent years, it has become a common technique to paint murals on canvas in the laboratory and then stuck them to the wall. Once the preparation of the wall is done, we can transfer the pictures to the surface and begin the wall painting. If the surface of the wall is too rough it has to be repaired with acrylic stucco. Before the wall painting, the iconographer should scrub the wall with coarse sandpaper.Afterwards, the wall is primed with diluted glue Vinilit Vinavil. Plastic colors, which are incorrectly used by some iconographers are inferior and unsuitable for portable icons, images, painting and wall paintings.Not all colors sold in shops, are suitable for iconography and the artist has to choose very carefully in order to ensure his work’s quality and durability over time. The most ideal colors for the painting on the wall are natural earthly colors powders which are mixed with glue. Nowadays new materials that allow to paint onto dry plaster are available to iconographers. Mistakes are not admittable in fresco, because the color penetrates the wet plaster and paint can not be erased. The work required great skill and speed, because the work needed to finish before the plaster dried off. The plastering was done with a blend of lime, river sand and hay. The old craftsmen plastered only a small portion of the wall, so that it could be painted before the plaster dried off. From its result we find that fresco is the most durable painting, because most wall murals that have survived until today are kept in excellent condition. It is the technique used by the old Byzantine iconographers, whereas in our time it has almost disappeared. Fresco is the painting onto fresh plaster that’s why it is called fresco.
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